Fallinglight II 2023

Copper and silver electroformed organza, sewn through the length of dusk.

A companion piece to ‘Fallinglight’ 2023 and ‘What is it that sees through these eyes?’ 2022, this work explores qualities of becoming, through an embodied relationship with atmosphere, materials and time. More specifically, it considers how the qualities of dusk, as a threshold between light and dark, might be felt through the body, and how this state of transformation, where our sense of the separation between things fades, can be manifested through alchemical material processes.

Constructed from a unique ‘threshold’ material made by slowly growing copper and silver into organza through electroforming, this substance expresses a state of transformation, held in material. Its development was driven by the desire to manifest a temporal edge, where there is a balance felt, for a very short time, between one thing dissolving and another growing into it’s space, as darkness meshes into the fraying light of the day, where invisible and visible come into balance, and we start to feel things more so than seeing them.

Left to right:

Fallinglight II 2023, copper, silver, organza, bronze armature, hemp cord, 930 x 220 x 200 mm    

Fallinglight II 2023 (detail), copper, silver, organza, bronze armature, hemp cord, 930 x 220 x 200 mm        

Photography: Matthew Stanton 

Video: Dave Meagher, sound - Dominic Redfern and Siobhan Murphy

 

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What is it that sees through these eyes? 2022